
He's not wrong. A total deviation from pretty much anything that any jazz musicians were attempting at the time, Miles Davis
became a legend when releasing this album. Tutored by the great Dizzy Gillespie and the often astonishing Charlie Parker, Miles Davis had a hell of a lot to live up to.
This album is new. No more bebop. No more frantic fast crazy trumpet solos. This IS the definition of cool. Attempting to do something that has never been done before is something that Miles Davis would later become associated with again, and again, and again.....
Thanks Miles. The soundtrack to many a Sunday afternoon.
Incidentally, the name Miles doubled in popularity in the US in the year of the release of this album. Upon his death in 1991, the re-release of his entire back catalog had a similar, but much more profound effect on the choice of the name Miles for boys. It's entirely possible (and I expect likely) that Miles Davis' music is now more popular than it ever was when he was alive and is now properly recognised for the utter genius that it was. (we'll see more of Mr. Davis later...)